English 254 Class #3 Mon, Jan 14
Crane, “The Blue Hotel”
The Naturalists:
Shaped by civil war, Darwinism, social upheaval. A movement in fiction in late 19th C.
If Romantic transcends immediate to find ideal, and Realist centers attention on immediate, the Naturalist plumbs the actual to find the scientific laws that control its actions.
Atmosphere:
Atmosphere
is setting (locale, period, weather,
time of day) plus tone, an attitude
taken by the narrator that can be described in terms of a quality—sinister,
facetious, formal, solemn, wry.
The Blue
Hotel
1.
What’s
this story about? And what’s the point?
2.
What’s
the main conflict, and who’s the protagonist and antagonist? Inner conflict?
3.
Why
is the Swede afraid? He seems to swing from being afraid of everyone to
bullying everyone. Is he a believable character?
4.
What’s
the resolution of the conflict, and what’s the point of the resolution?
5.
Analyze
the structure of the story in formal terms: exposition, conflict, rising
tension,
climax, resolution. What is the
relationship between these parts and the divisions
marked out by Crane himself?
6.
What’s
the story’s setting? Does the setting have anything to do with the point of the
story?
7.
What
purpose is served by the opening description of the blue hotel, so out of place
in the drab Western landscape of grays and browns?
8.
How’s
the weather? What’s the point of the weather?
9.
How
does the storm in this story compare and contrast to the storm in Chopin’s
story?
10. Why is most of the story about events at
the Blue Hotel, and why do events at the saloon occupy only a small section?
Why, in terms of the story’s structure, do we not learn until the very end that
Johnny actually was cheating?
11. What is ironic about the “dreadful
legend that dwelt atop of the cash machine: ‘This registers the amount of your
purchase’”?
12. The moral of the story is explicit: “Every
sin is the result of a collaboration.” What does this statement mean? Do you
find it convincing?