ANTH 407D U.S.-Mexico Border
Spring
2009
Assoc.
Prof. Doug Smith
Department
of Anthropology
HSS
214
503-838-8372
Office hours: MW 9:00-10:00, TR 2-3, or by appointment
Description
This
course will examine contemporary political, economic, social, and cultural
issues germane to U.S.-Mexico border and to border crossing. We will look in particular at questions of
migration and immigration in the post-NAFTA context, including the experience
of (primarily) Mexicans in the
Course
Objectives
·
To learn key
historic patterns of migration within
·
To develop an
awareness of the larger political and economic forces that influence patterns
of migration
·
To enhance
understanding of the U.S.-Mexico border as a distinct economic, social, and
cultural region
·
To explore how
representations of the border and borderlands in popular culture influence how we perceive the region
·
To enhance
knowledge of and sensitivity to the cultural presence of Latinos in the
·
To understand
how recent security initiatives have
impacted migration and immigration patterns and changed the meaning of border
crossing itself
·
To prepare us
for reasoned and constructive debate on immigration reform policy
There are
three required texts for the class, available in the bookstore:
Chavez,
Leo. The Latino Threat.
Nevins, Joseph.
Dying to Live. Open
Media/City Lights Books, 2008.
Crosthwaite, Luis Humberto, et al. Puro Border. Cinco Puntos Press, 2003.
Assignments
I will ask you
to complete two major assignments during the term:
1.
First, a 10-12 page paper for which you
may draw material over the course of the entire term. The guidelines will remain very broad in
order to give you maximal freedom to pursue your own analytic interests (for
example, you may wish to center more on cultural matters than economic ones;
you may wish to focus mainly on security or migration issues). Course content should inform whatever
approach you decide to take. A
one-paragraph “abstract of first thoughts,” in which you represent your initial
thinking on the project, will be due week five.
A précis, or outline of your entire paper, will be due the middle of
week 8. See the guidelines appended to
this syllabus for details. (50% of
grade)
2.
Second, three short papers (about three
pages each) responding to the three main texts of the course. The spirit of these assignments is for you to
define for yourself—you’re writing to yourself above all—what the essential
“takeaway” of that book is. For these
papers, I will permit you to write a bit more informally than under usual
academic circumstances. You can even
write a poem or a rap if you want. And for
one of these assignments, I will allow you to pursue an alternative to paper
writing all together. Not all students
learn or demonstrate what they’ve learned in conventional academic ways. So, if you’re not wild about writing, you can
offer the class a fifteen-minute presentation on your takeaway, or you can
design a classroom activity that teaches the class your takeaway. Perform, do a piece of art. Whatever, as long as you really do represent a deep engagement with the
material. In other words, informality
and alternatives to writing do not mean fluff or shallowness, let alone blowing
the assignment off. I am quite open to
your ideas, but be rigorous whatever you do. Fuller guidelines forthcoming. (30% of grade)
Other Responsibilities
Attendance/Participation/Discussion (20% of
grade)
Most class
meetings will contain some sort of discussion period. But on five designated days over the course
of the term (see class schedule), you
will lead discussions. That is, on a day
marked Discussion leading day in the schedule, a team of two-three
students will have prepared, in some form, a summary of significant concepts,
issues, points, etc. that have come out of readings, lectures, and films
explored during that section of the course.
Then the team will lead the class in a corresponding discussion. The team should feel free to include whatever
outside material it considers useful and interesting (e.g., a website, personal
experience, or material from another course).
The selection of concepts, issues, points etc. will be up to the team,
as will the format of summary presentation and discussion. The team should strive, however, to be
creative in engaging the class. And every member of the team must contribute
substantively to the effort.
Be serious
about this. It won’t do to show up with
two or three vague questions and expect to carry us through the period. On the other end, because we owe it to our
comrades to be there in their hour of truth, attendance will be especially
expected on discussion days. And please
come to class ready and willing to participate.
Believe me, when it comes your time to lead discussion, you will
appreciate it when students return the favor.
For more information, look to the guidelines attached to this
syllabus.
Schedule (subject to some change)
Module 1: Framing the
Border within the “Hispanic Challenge”
Week 1: Constructing the Latino Threat
M
Intro to the Course
Lecture: “The Ancient
History of Migration: Legend of the
Suns, Aztlán, Chicomoztoc, and the Route South”
Week 2: Difference, National identity, Citizenship
M
Video: “Salt of the Earth”
Lecture: “
Week
3 Embodied Problems of Citizenship
M
Discussion leading day
Video: “Walking the Line”
Due: What I Learned Paper #1
Module 2: Border Crossing in Context
Week
4 Death in the Desert
M
Lecture: Public Protest Art on the Wall
Discussion
leading day
W Nevins,
Chapter 3
Video: “Al Otro Lado”
Week 5 Rethinking Border Security
M
Due: Abstract of First Thoughts
Due:
What I Learned Paper #2
Module 3: Border
Culture and Society
Week 6 Introduction to Life on the Border
M
Lecture: “On Getting by in Ladrillera”
Presentation: “Sacred Shrines, Holy
Icons, and Migrants”
Discussion Leading Day
Week 7 El Narcomundo y la Pesadilla de Juarez: Laboratory
of Our Future?
M
Lecture: Border Shadow Economies
Discussion Leading Day
Video: “Voices of the Sierra
Tarahumara”
Week 8 Underclass Genius on the Border
M
Video: “Rancho
Due: Final Paper Prècis
Presentation: Introduction
to Guillermo Gómez Peña
Discussion leading day
Week 9 Native American Borderlands Identities
M
No Class: Memorial Day
Lecture: A Tohono O'odham
Perspective on the Border
Due: What I Learned Paper #3
Week 10 Presentations
M Presentations
W
Presentations
→ Final
Papers Due Wednesday, June 10, by 5 p.m.
Discussion Leading
To help you prepare for
discussion leading, keep the following guidelines in mind.
Discussion sessions will
have two main parts:
So, this summary should present the set of themes to the class
for consideration. It might be most
effective to go through it theme by theme.
That is, summarize one theme by stating it and making some observation(s)
about it, and then let’s start a discussion about it (see point 2 below about
posing questions). When we seem
“finished” with it, we can move onto another theme. It would be less effective to list all themes
and then say, “So, what do you think?”
Try not to worry about
carrying us through the entire period.
We will always have more to talk about than we have time for. Every member of the discussion leading group
should participate by stating themes, making comments, and/or asking
questions. And feel free to think about
using visuals, breaking us up into smaller groups, encouraging interactive
activities, and so on. And for those of us not in the leading
group: come to class prepared to
contribute. It is stressful to try to
lead a discussion and not get any feedback.
So help out your classmates. I
repeat a comment made on the syllabus: when it comes your time to lead
discussion, you will appreciate it when they return the favor.
Main Paper Guidelines
The guidelines for your
final papers will remain broad in order to provide you with maximal freedom in choosing a topic that
interests you. You may wish, for
example, to center on the political economy of migration (i.e. the policies and
structural economic circumstances that help explain its character). You may wish to focus on the border as a
distinctive site for certain significant social issues, like workers’ rights or
the drug trade. You may be interested in
the arts and wish to write about border/migration issues as they are
represented in murals or music. It’s
really wide open, but here are some pointers that might give you a bit of
structure.
Please refer to course
material as appropriate, but feel free to integrate material from somewhere
else.
And remember that I encourage you to speak with me outside of class
about a topic and how to go about analyzing it.
~ Ten pages, due June 10 by 5
p.m.