Instructor
Description
Course Materials
Evaluation
Guidelines
Goals
Schedule
ANTH 369D 
VISUAL ANTHROPOLOGY

Spring 2008
TR 1600-1750 HSS 107


INSTRUCTOR

Dr. Robin L. Smith smithr@wou.edu
Phone: 838-8357
Office: HSS 210B
Office Hours: M-F 1400-1500 and by appointment
Note: If you have a disability that might require assistance or accomodations for any aspect of this course, please come and discuss this with me during the first week of classes. You may also contact the Office of Disability Services, at 838-8250 V/TTY, for information about accessibility and accomodations

DESCRIPTION

We begin with the earliest uses of moving images to capture and re-present human behavior for research, teaching and entertainment. As we survey the evolution of visual anthropology we observe the influences of technology, social and political movements, aesthetic styles, and anthropological debates on the work of ethnographers and filmmakers. Various styles of cinematic expression and changing relationships amongst ethnographer, filmmaker, subject, and audience are addressed. By acquiring a vocabulary and set of concepts for talking and writing about what we see on film, by watching intently and sharing what we see, and by sampling broadly across cultures and topics of human experience, we come to see human life in a new way.



COURSE MATERIALS

We will use WOU Online to access readings for this course. I encourage you to print out the articles and chapters, mark them up as you read and bring them to class on the day assigned to use during discussion. You will also bring and turn in a synopsis as described below under Evaluation.

Course Bibliography Course Filmography
Salem Film Festival 18-20 April 2008 POV Summer 2008
Edward S. Curtis Photos Visualising Ethnography
Visual Anthropology  

EVALUATION

This is a seminar course built upon collaborative analysis of assigned readings and discussion of films that we have watched together.  Preparation, attendance, and participation are required. Viewing a film is a communal experience that requires rapt attention and willing surrender of the senses and emotions to the filmmaker's goals. Viewing an ethnographic film requires conscious exercise of cultural relativity and active analysis of the intellectual experience, as well. We will work together on developing these skills. By joining this class we each agree to promote this experience for others by 1) sharing our ideas and reactions and 2) refraining from any distracting activities, including: arriving late, leaving early, eating, shuffling papers, checking phone messages, etc. We will take a short lunch break; bring your lunch.

1. Preparation requires reading the assigned articles and chapters before class, and submitting, at the beginning of class a brief synopsis for each. [1% each]

2. Participation involves engaged watching and responsive discussion of the films screened in class.

3. Take-home essay exams. I will link exam questions and instructions to this website. There are three in-term essays and a final. In-term essays will incorporate readings, lecture, discussion and screenings for each unit of the course. The final will be an in-class essay written after a final screening.

Weighting of required work:
10%  Preparation
20%  Participation
60%  3 Essays
10%  Final
Grades are assigned according to the following scale:
A = 93-100, A- = 90-92; B+ = 87-89; B = 83-86; B- = 80-82; C+ = 77-79; C = 73-76; C- = 70-72; D+ = 67-69; D = 63-66; D- = 60-62; < 60 = F.

ACADEMIC CULTURE GUIDE


GOALS

Participation in this course will strengthen your skills as a viewer of film and as a reader, researcher, writer, speaker, and listener. We will pay particular attention to:


SCHEDULE SPRING 2008

WEEK ONE
INTRODUCTION AND DEFINITIONS
April 1 Introductions of participants and course. Attend class today!
  [The Lumière Brothers' First Films][61]
April 3 History and Pioneers
  Read: Grimshaw - Ch 1 The modernist moment and after 1895-1945
  [Coming to Light][85]
   
WEEK TWO VANISHING PEOPLES AND SALVAGE ETHNOGRAPHY
April 8 Boas and Curtis
 

Read: Barbash & Taylor - Ch 1 Documentary Styles [Up in Smoke][27]
Read: Mead - Visual Anthropology in a Discipline of Words

April 10 Read: Barbash & Taylor - Ch 2 From Fieldwork to Filming
[In the land of the war canoes] [44]
   
WEEK THREE ROMANTICS AND ADVENTURERS
April 15 Read: Grimshaw - The innocent eye: Flaherty, Malinowski and the romantic quest [Nanook of the North] [79]
April 17 Read: Vaz - The Jungle Story and Biography of Merian Cooper
[Grass: A Nation's Battle for Life][70]
  ******** Essay I Assignment in PDF format in MS Word format ********
   
WEEK FOUR FILM IN THE SERVICE OF ANTHROPOLOGY AND EMPIRE

April 22

***Essay 1 DUE AT THE BEGINNING OF CLASS TUESDAY APRIL 24, 2007***
Read: Grimshaw - The light of reason: John Grierson, Radcliff-Brown and the enlightenment project
[Night Mail and Drifters][25 + 60]
April 24

Read: Mackay - Allegory and Accomodation: Vertov's Three Songs of Lenin (1934) as a Stalinist Film
OR
Read: Honarpisheh - The Oriental 'Other' in Soviet Cinema, 1929-34
[Three Songs of Lenin][62]

   
WEEK FIVE LE VRAI MAITRE FOU
April 29 Read: Grimshaw - The anthropological cinema of Jean Rouche
[Mammy Water][19] [Un lion nommé l'américain][20]
May 1

Read: Rouch - The Camera and the Man
Read: Rouch - Our Totemic Ancestors
[Jaguar][88]

   
WEEK SIX THE INFLUENCE OF TELEVISION
May 6 Read: Hall - Realism as a Style in Cinema Verite: A Critical Analysis of "Primary"
Robert Drew [Primary] [53]
May 8 Read: Grimshaw - The Anthropological Television of Melissa Llewelyn-Davies
[Masai Women] [52]
 

******* Essay II Assignment in PDF format in MS WORD format *******

   
WEEK SEVEN SCIENCE AND ART
May 13 // Essay II Due // Asch and Marshall Read: Elder - Images of Asch; Read: MacDougall - Subtitling Ethnographic Films
[The Ax Fight][30] [N!ai: Story of a !Kung Woman][60]
May 15 Gardner Read: Akos Ostor - Forest of Bliss: Film and Anthropology
[Forest of Bliss] [90]
The Debate [browse--don't write up]: Moore (continues on Gardner), Gardner, Parry, Editor, Chopra, Ostor, Ruby, Carpenter, Stall, Chiozzi.
   
WEEK EIGHT FEMINIST EYES
May 20 Read: Frank - The Ethnographic Films of Barbara G. Myerhoff: Anthropology, Feminism, and the Politics of Jewish Identity
[In Her Own Time] [60]
May 22 Read: Onyango Oloo: Music Views, Reviews, and Interviews (1994-2000) (just the first interview)
[From Sun Up] [28] [Kumekucha: These Hands] [45]
   
WEEK NINE INNOCENCE ABROAD
May 27

Read: MacBean - Degrees of Otherness (handout)
First Contact [52]

May 29 Academic Showcase: Please Attend Anthropology Session 1-5 HL 107
   
WEEK TEN OBSERVERS OBSERVED
June 3 Read: Weinberger - The Camera People
[Taking Pictures] [56]
June 5 Read: Ruby - Speaking for, Speaking About, Speaking with, or Speaking Alongside [Seeking the Spirit] [40] [If the Weather Permits] [28]
  Essay III Assignment in MS word in PDF
   
EXAM WEEK  
June 12 // Essay III Due IN CLASS // Final Exam period 1200-1400 Thursday

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