| Instructor Description Course Materials Evaluation Guidelines Goals Schedule |
ANTH 369D
VISUAL ANTHROPOLOGY Spring 2008 TR 1600-1750 HSS 107 |
|
INSTRUCTORDr. Robin L. Smith smithr@wou.eduPhone: 838-8357 Office: HSS 210B Office Hours: M-F 1400-1500 and by appointment |
Note: If you have a disability that might require assistance or accomodations for any aspect of this course, please come and discuss this with me during the first week of classes. You may also contact the Office of Disability Services, at 838-8250 V/TTY, for information about accessibility and accomodations |
We begin with the earliest uses of moving images to capture and re-present human behavior for research, teaching and entertainment. As we survey the evolution of visual anthropology we observe the influences of technology, social and political movements, aesthetic styles, and anthropological debates on the work of ethnographers and filmmakers. Various styles of cinematic expression and changing relationships amongst ethnographer, filmmaker, subject, and audience are addressed. By acquiring a vocabulary and set of concepts for talking and writing about what we see on film, by watching intently and sharing what we see, and by sampling broadly across cultures and topics of human experience, we come to see human life in a new way.
We will use WOU Online to access readings for this course. I encourage you to print out the articles and chapters, mark them up as you read and bring them to class on the day assigned to use during discussion. You will also bring and turn in a synopsis as described below under Evaluation.
| Course Bibliography | Course Filmography |
| Salem Film Festival 18-20 April 2008 | POV Summer 2008 |
| Edward S. Curtis Photos | Visualising
Ethnography |
| Visual Anthropology |
This is a seminar course built upon collaborative analysis of assigned readings and discussion of films that we have watched together. Preparation, attendance, and participation are required. Viewing a film is a communal experience that requires rapt attention and willing surrender of the senses and emotions to the filmmaker's goals. Viewing an ethnographic film requires conscious exercise of cultural relativity and active analysis of the intellectual experience, as well. We will work together on developing these skills. By joining this class we each agree to promote this experience for others by 1) sharing our ideas and reactions and 2) refraining from any distracting activities, including: arriving late, leaving early, eating, shuffling papers, checking phone messages, etc. We will take a short lunch break; bring your lunch.
1. Preparation requires reading the assigned articles and chapters before class, and submitting, at the beginning of class a brief synopsis for each. [1% each]
2. Participation involves engaged watching and responsive discussion of the films screened in class.
3. Take-home essay exams. I will link exam questions and instructions to this website. There are three in-term essays and a final. In-term essays will incorporate readings, lecture, discussion and screenings for each unit of the course. The final will be an in-class essay written after a final screening.
| Weighting of required work: 10% Preparation 20% Participation 60% 3 Essays 10% Final |
Grades
are assigned according to the following scale: A = 93-100, A- = 90-92; B+ = 87-89; B = 83-86; B- = 80-82; C+ = 77-79; C = 73-76; C- = 70-72; D+ = 67-69; D = 63-66; D- = 60-62; < 60 = F. |
Participation in this course will strengthen your skills as a viewer of film and as a reader, researcher, writer, speaker, and listener. We will pay particular attention to:
| WEEK ONE |
INTRODUCTION
AND DEFINITIONS
|
| April 1 | Introductions of participants and course. Attend class today! |
| [The Lumière Brothers' First Films][61] | |
| April 3 | History and Pioneers |
| Read: Grimshaw - Ch 1 The modernist moment and after 1895-1945 | |
| [Coming to Light][85] | |
| WEEK TWO | VANISHING PEOPLES AND SALVAGE ETHNOGRAPHY |
| April 8 | Boas and Curtis |
|
Read: Barbash &
Taylor - Ch 1 Documentary Styles [Up in Smoke][27] |
|
| April 10 | Read: Barbash &
Taylor - Ch 2 From Fieldwork to Filming [In the land of the war canoes] [44] |
| WEEK THREE | ROMANTICS AND ADVENTURERS |
| April 15 | Read: Grimshaw - The innocent eye: Flaherty, Malinowski and the romantic quest [Nanook of the North] [79] |
| April 17 | Read: Vaz
- The Jungle Story and Biography of Merian Cooper [Grass: A Nation's Battle for Life][70] |
| ******** Essay I Assignment in PDF format in MS Word format ******** | |
| WEEK FOUR | FILM IN THE SERVICE OF ANTHROPOLOGY AND EMPIRE |
|
April 22 |
***Essay 1 DUE AT THE BEGINNING
OF CLASS TUESDAY APRIL 24, 2007*** Read: Grimshaw - The light of reason: John Grierson, Radcliff-Brown and the enlightenment project [Night Mail and Drifters][25 + 60] |
| April 24 |
Read: Mackay - Allegory
and Accomodation: Vertov's Three Songs of Lenin (1934) as a Stalinist
Film |
| WEEK FIVE | LE VRAI MAITRE FOU |
| April 29 | Read: Grimshaw
- The anthropological cinema of Jean Rouche [Mammy Water][19] [Un lion nommé l'américain][20] |
| May 1 |
Read: Rouch - The Camera and
the Man |
| WEEK SIX | THE INFLUENCE OF TELEVISION |
| May 6 | Read: Hall - Realism
as a Style in Cinema Verite: A Critical Analysis of "Primary" Robert Drew [Primary] [53] |
| May 8 | Read: Grimshaw
- The Anthropological Television of Melissa Llewelyn-Davies [Masai Women] [52] |
|
******* Essay II Assignment in PDF format in MS WORD format ******* |
|
| WEEK SEVEN | SCIENCE AND ART |
| May 13 | // Essay II Due
// Asch and Marshall Read: Elder - Images of Asch; Read: MacDougall
- Subtitling Ethnographic Films
[The Ax Fight][30] [N!ai: Story of a !Kung Woman][60] |
| May 15 | Gardner Read: Akos
Ostor - Forest of Bliss: Film and Anthropology [Forest of Bliss] [90] The Debate [browse--don't write up]: Moore (continues on Gardner), Gardner, Parry, Editor, Chopra, Ostor, Ruby, Carpenter, Stall, Chiozzi. |
| WEEK EIGHT | FEMINIST EYES |
| May 20 | Read: Frank - The
Ethnographic Films of Barbara G. Myerhoff: Anthropology, Feminism, and the
Politics of Jewish Identity [In Her Own Time] [60] |
| May 22 | Read: Onyango Oloo:
Music Views, Reviews, and Interviews (1994-2000) (just the first interview) [From Sun Up] [28] [Kumekucha: These Hands] [45] |
| WEEK NINE | INNOCENCE ABROAD |
| May 27 |
Read: MacBean - Degrees of Otherness
(handout) |
| May 29 | Academic Showcase: Please Attend Anthropology Session 1-5 HL 107 |
| WEEK TEN | OBSERVERS OBSERVED |
| June 3 | Read: Weinberger
- The Camera People [Taking Pictures] [56] |
| June 5 | Read: Ruby - Speaking for, Speaking About, Speaking with, or Speaking Alongside [Seeking the Spirit] [40] [If the Weather Permits] [28] |
| Essay III Assignment in MS word in PDF | |
| EXAM WEEK | |
| June 12 | // Essay III Due IN CLASS // Final Exam period 1200-1400 Thursday |