ANTH 369D Bibliography

[nb: may contain articles not assigned this term]

Barbash, Ilisa and Lucien Taylor
1997 Cross-Cultural Filmmaking: A Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley: University of California Press.

De Brigard, Emilie
2003 The History of Ethnographic Film. In Principles of Visual Anthropology, edited by Paul Hockings, pp. 13-43. Berlin: Mouton de Gruyter.

Elder, Sarah
2001-2002 Images of Asch. Visual Anthropology Review 17(2):89-109.

Frank, Geyla
1995 The Ethnographic Films of Barbara G. Myerhoff: Anthropology, Feminism, and the Politics of Jewish Identity. In Women Writing Culture, edited by Ruth Behar and Deborah A. Gordon, pp. 207-224. Berkeley: University of California Press.

Grimshaw, Anna
2001 The Ethnographer's Eye: Ways of Seeing in Modern Anthropology. Cambridge: Cambridge University Press.

Hall, Jeanne
1991 Realism as a Style in Cinema Verite: A Critical Analysis of "Primary." Cinema Journal 30(4): 24-50.

Harrow, Kenneth W.
1997 Women with Open Eyes, Women of Stone and Hammers: Western Feminism and African Feminist Filmmaking Practice. Matatu: Journal for African Culture and Society 19:133-149.

Honarpisheh, Farbod
2005 The Oriental 'Other' in Soviet Cinema, 1929-34. Critique: Critical Middle Eastern Studies 14(2):185-201.

Mead, Margaret
2003 Visual Anthropology in a Discipline of Words. In Principles of Visual Anthropology, 3rd edition, edited by Paul Hockings, pp. 3-10. New York: Mouton de Gruyter.

MacBean, James Roy
1994 Degrees of Otherness: A Close Reading of First Contact, Joe Leahy's Neighbors and Black Harvest. Visual Anthropology Review 10(2): 55-69

MacDougall, David
1998 Transcultural Cinema. Princeton, New Jersey: Princeton University Press.

MacKay, John
2006 Allegory and accomodation: Vertov's Three Songs of Lenin (1934) as a Stalinist Film. Film History 18:376-391.

Ostor, Akos
1994 Forest of Bliss: Film and Anthropology. East West Film Journal 8(2):70-104.

Prunes, Mario
2003 Dziga Vertov's Three Songs About Lenin (1934): A Visual Tour through the History of the Soviet Avant Garde in the Inter War Years. Criticism 45(2): 251-278.

Rouch, Jean
2003 (1974) The Camera and the Man. In Principles of Visual Anthropology, 3rd edition, edited by Paul Hockings, pp. 79-98. New York: Mouton de Gruyter.

2003 (1988) Our Totemic Ancestors and Crazed Masters. In Principles of Visual Anthropology, 3rd edition, edited by Paul Hockings, pp. 217-232. New York: Mouton de Gruyter.

Ruby, Jay
1991 Speaking For, Speaking About, Speaking With, or Speaking Alongside -- An Anthropological and Documentarly Dilemma. Visual Anthropology Review 7(2):50-67

2000 Picturing Culture: Explorations of Film and Anthropology. Chicago: University of Chicago Press.

Tomas, David
1992 Manufacturing vision: Kino-Eye, The Man with the Movie Camera, and the perceptual reconstruction of social identity. Visual Anthropology Review 8 (2): 27-38.

Vaz, Mark Cotta
2005 Living Dangerously: The Adventures of Merian C. Cooper. New York: Villard Books.

Weinberger, Eliot
1992 The Camera People. Transition 55: 24-54.

Wogan,Peter
2006 Audience Reception and Ethnographic Film: Laughing at First Contact. Visual Anthropology Review 22(1):14-33.