Painting
Printmaking
Drawing
Studies
Artist Statement:
My subject matter frequently depicts man-made structures in their natural setting. For example: houses on cliffs, landscapes with buildings, and cathedrals are images I derive pleasure from painting and printing. The impressive and highly complex architecture I saw while traveling through Europe has created my fascination with this subject matter. I have discovered that these structures appear even more magnificent and meaningful when one takes into account their surrounding landscape.
I am attracted to this imagery because the potential for drama created by the juxtaposition of the natural and man-made proves exciting to me. I exploit this potential for drama through strong contrast between lights and darks and through dynamic compositions. Buildings and man-made objects appear large or foreboding in my works and are always rendered representationally. Edward Hopper uses similar techniques in his landscapes and I find his work to be a source of inspiration. These techniques make my subject appear more substantive which gives the impression that a narrative exists. It is my goal that viewers intuitively assign a narrative or “back-story” to the subject matter in my paintings and prints, and are compelled to know where the “scene” takes place.
Recently, I have combined both oil paint and oil pastels into my paintings. I chose this method because I wanted my paintings to have elements of drawing. The pastels accomplish this effect and also help to create depth and texture not easily achieved with paint.
WOU Art Faculty: My five best works can be found here.